(Special issue on Fiction To Film,
edited by Simran Chadha)
SECTION 1 – POPULAR BOLLYWOOD ADAPTATIONS
PRAGYA GUPTA: ‘Rudali’: From Mahasweta Devi to Kalpana Lajmi
KATHAKOLI DASGUPTA: Screening the Novel:
Umrao Jaan
SHILPI MALHOTRA: Dissidence and Subversion within Power Structures: A Study of Maqbool and Macbeth
NAMITA PAUL: “We All Know She is a Lesbo. But What About You?”
SECTION 2 – HERITAGE CINEMA
JASBIR JAIN: Critiquing Colonialism through Cinematic Frames: Shatranj Ke Khilari and Ghare-Baire
ANURADHA GHOSH: Fiction into Film: Inter-Semiotic Translation as Interpretation and Adaptation
NOVY KAPADIA: The Contrasting Film and Novel Text of Ghore Baire
VIJAYA SINGH: The Colonial Discourse of the British Heritage Films of the 1980s
NIDHI MADAN: The Art of Adaptation in Heritage Cinema
SECTION 3 – WESTERN ADAPTATIONS
MEGHA ANWAR: A Never-ending Love Story: Multi-media Inter-texting with the Bard, Five Centuries Down
DEEPA NAIR: From Page to Screen: A Study of Octave Mirbeau’s The Diary of a Chambermaid and the Screen Adaptations by Jean Renoir and Luis Buñuel
ANAND PRAKASH: Madame Bovary and Maya Memsaab: Narrative and Image vis-à-vis Form
ANAS TABRAIZ: The Holocaust as Film and Literature in Schindler’s List
ANUJA JAIN: Maya Memsaab: A Narrative in which Nothing Happens |
